Yu’s “Interior Chinatown” feels like another example of that stylistic deviation, and like Sachs, his is extended and sustained + thus does the work of having to justify itself within the coherence of the whole work — which I think earns spades of bonus points next to the Egan Power Point, which as a one-off always risks feeling more gimmicky and less structurally necessary.
Yu’s “Interior Chinatown” feels like another example of that stylistic deviation, and like Sachs, his is extended and sustained + thus does the work of having to justify itself within the coherence of the whole work — which I think earns spades of bonus points next to the Egan Power Point, which as a one-off always risks feeling more gimmicky and less structurally necessary.